Know your prints

by Manan Relia 20. March 2010 11:57

S. H. Raza - Bindu

 

What is a Limited Edition Print?
Limited Edition means the artist/studio has committed to only producing a limited number of prints. The artist determines the size of the edition, and all prints are individually numbered and signed or sealed. 15/100 means this is the 15th number of print out of 100.

 

What is an Open Edition?
Open Edition means there is no limit to the number of prints the publisher can produce, and the same can also be reprinted on demand. Open Edition prints are not usually numbered, but may be signed by the artist.

 

Thota Vaikuntam - Mother and Child III

 

What is a Fine Art Print?
Fine Art Print would denote a higher category product, usually on heavier archival type paper, typically of a limited edition and usually produced with a better printing process like serigraphy, etching, or stone lithography.

 

What is the difference between a print and a poster?
Most reproduced images can be considered prints. Prints can be further broken down by Limited Edition prints and Open Edition prints. Posters are generally Open Edition prints, which are normally printed in thousands. The word 'Poster' has nothing to do with the quality of the image and paper.

 

Amit Ambalal - Lonely Planet

 

What kind of paper are prints usually printed on?
Most publishers do not specify the quality of paper. Generally speaking, items like Movie Posters and Promotional Posters are printed on a lighter weight paper, whereas Limited Editions are printed on a heavier acid free paper. Fine Art Prints are printed on heavy archival paper, which has a longer life and less discoloration.

 

Will the value of a limited edition increase like other collectors items?
By their nature of being limited in number, demand for certain limited edition prints can be greater than the large number of reproductions produced for the edition. Once an edition is sold out from the publisher, which means that the print is no longer available from the publisher but may still be available in the Secondary Market. This means that the print can be bought and sold by any gallery or individual, often above issue prices, depending on supply and demand.

 

Manu Parekh - Banaras in Purple

 

Why are limited edition prints so much more expensive than other prints?
The premium price of limited editions is a function of the limited supply of each print, and the exceptionally high quality of these prints. Typically, the more manually intensive the process is, the more each limited edition print will cost. The less number of editions and reputation of the artist are also an important factor for higher pricing.

 

What is an artist's proof, or what does A/P mean?
Some of the first prints pulled from a limited edition of prints are marked as an ‘AP’ and used by the artist for experimenting colours.  As a general rule, there are 10 to 20% more A/Ps than numbered edition which are shared by the artists and the studio. Artist's proofs generally draw a higher price than other impressions because of its restricted number.

 

Nathdwara Framed in Ahmedabad

by Manan Relia 11. March 2010 14:09

 

The opening of the exhibition "A Day at Nathdwara" at the AMDAVAD NI GUFA on March 10th. 2010 was big success. Over 300 art enthusiasts, friends and art lovers were present at the event.

 

Here is what the artist Anuj Ambalal writes about the show and his experiences.

 


Everything about Nathdwara fascinates me. This quaint little town near Udaipur has all it takes to capture my imagination. A seeming chaos is what welcomed me as I entered the town for the first time as a kid. But over the years as I rambled along the narrow sinuous streets - without trying to decipher its randomness, the magic started to unveil.

This temple town comes across as a place bumbling with people and a flurry of activity. But then, as I wandered around exploring it, I experienced a strange feeling of stillness - almost timelessness - about it. I was struck by this duality and it eventually became bit of a challenge to depict it through photography - especially when I have had no formal training of the medium.

Another interesting aspect about the place is the panache with which its people use an array of strong vibrant contrasting colours around them. All around the town the walls of houses and temples are decorated with inconspicuous frescos & religious graffitis. These combined with its unique and distinct architectural idiom has successfully created an amazingly tactile, dynamic and a touching visual experience. And It is the ease and playfulness with which the people have derived such high aesthetics is something that never fails to amaze me.

Three years back I started taking photographs of the town with an intention to document it and also to capture these subtle nuances that form the core of the Nathdwara aesthetics. This exhibition is an attempt to relive that visual experience.


 

Press Coverage from the exhibition:

 

An article from DNA After Hrs. (Ahmedabad) - March 11th, 2010 (PDF 212.65 kb)

 

An article in Gujarati from Divya Bhaskar Ahmedabad (PDF 299.22 kb)

Online Preview: A Day at Nathdwara

by Manan Relia 3. March 2010 13:53

 

 

A Day at Nathdwara

by

Anuj Ambalal




Online Preview

4th-31st, March 2010



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Dusk at Nathdwara
Dusk at Nathdwara, 2010

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